INTRODUCTION


COLONEL STEWART FRANCIS NEWCOMBE was already a legend in the deserts of Arabia before he was joined in Cairo during the early months of the First World War by a a remarkable team of Middle Eastern specialists. One member of this group was T.E. Lawrence who went on to achieve worldwide fame. Colonel Newcombe's story, like those of other unsung figures in the Anglo-Arabian narrative, has been eclipsed by the legend of ´Lawrence of Arabia´, and has languished in the dusty recesses of regimental records, government files or in the elliptical words of Lawrence’s book Seven Pillars of Wisdom. However, S.F. Newcombe´s untold story is there to be told. BEYOND ARABIA is a story of extraordinary exploits and courage, coupled with Newcombe's own legendary and inexhaustible supply of energy and of remarkable adventures under the very noses of the Ottoman authorities – full of danger, intrigue and perhaps more surprisingly, of romance during Newcombe's captivity in Turkey. In the years between the two world wars, Palestine became Newcombe’s main preoccupation, especially after his retirement from military service, and he spent many years in helping to achieve a just solution in relation to the promises that were made to the Arabs during the war in return for their active participation in support of the Allied cause. For this untiring effort he will be best remembered. This is his story.
Showing posts with label Bovington. Show all posts
Showing posts with label Bovington. Show all posts

Thursday, December 6, 2012

An interesting news item


On the 50th anniversary of the film, Lawrence of Arabia, the Royal Society of Chemists have offered £300 for a 'script' - the missing sequence - describing Major Herbert Garland's contribution to Lawrence's story.  

Garland's contribution to the Hejaz campaign (see: An Oriental Assembly - Bimbashi (Major) Herbert Garland and A young man's near miss!) was indeed highly significant; his invention and application of improvised explosive devices (IEDs) led directly to him using one of his own hair-trigger devices to derail the first train in the desert war on 12 February 1917 at Towaira. The effect of this one action alone must have sent ripples of alarm throughout the Turkish command and would have no doubt given immense confidence to the Arab leaders and their tribal forces at a critical stage of the campaign. 

Not Arabia, but Cabo de Gata, Spain
But Herbert Garland's influence on rail-raiding operations in the Hejaz and later in the northern sphere of operations - by which time he had left the area through ill-health - was not so much in what he invented, itself a considerable achievement in the early months of the campaign, but in the confidence he imparted to novices such as Lawrence and the untrained Bedouin in handling the material and the tools of his trade. Experienced military staff such as Newcombe and Hornby would not have needed much encouragement to pick up the ‘homemade’ devices and run with them. But Garland’s familiarity with high explosives was infectious. "Sappers handled it like a sacrament,” wrote Lawrence, “but Garland would shove a handful of detonators into his pocket with a string of primers, fuse, and fusees and jump gaily on his camel for a week's ride to the Hejaz railway."

This is also Lawrence’s description of working with a Garland mine: “Laying a Garland mine was shaky work, but scrabbling in pitch darkness up and down a hundred yards of railway, feeling for a hair-trigger buried in the ballast, seemed, at the time, an almost uninsurable occupation. The two charges connected with it were so powerful that they would have rooted out seventy yards of track; and I saw visions of suddenly blowing up, not only myself, but my whole force, every moment. To be sure, such a feat would have properly completed the bewilderment of the Turks!”  

Lawrence had come a long way from map-making and compiling reports on troop dispositions from the safety of his office in Cairo. Explosives held no mystery for him now and he was confident in handling something that was normally the domain of a select band of sappers like Newcombe, a confidence which he was to put to effective use when the campaign shifted to the north and where the use of electric plungers took over from Garland’s IEDs.  

Lawrence did not forget how useful and effective explosives could be. Nearly twenty years later, he enlisted Lord Carlow’s help in taking off the top of a tree that was threatening to hit the corner of Clouds Hill cottage if it ever came down. They obtained some gelignite from Portland and lashed it to the offending branch with an old puttee, setting a fuse which his neighbour Pat Knowles was allowed to light. Standing at a safe distance the tree came down exactly as planned except for the added inconvenience of the skylight blowing in with a pretty musical tinkle as glass showered in on the upstairs music room. Lawrence’s only comment was a wry ‘Blast!’ and Knowles was dispatched to get some replacement glass from Bill Bugg’s workshop at Bovington camp while Lord Carlow helped Lawrence saw up the branches into logs. A mixture of school-boy larks mixed with a healthy dose of Garland’s bravura with explosives.

Clouds Hill with skylight

Many years later, during a visit to Clouds Hill, I pointed out to the curator of the cottage that rain water was dripping from the same skylight onto the leather sofa which I helped shift a few inches away from the wall while she ran to get a bucket. Where was old Bill Bugg when you needed him?

It’s a thought-provoking idea to link the Royal Society of Chemists’ new found hero with a major cinematic event and make chemistry ‘sexy’ at the same time - but an interesting story all the same! I wonder what the winning script will have to say about Garland's contribution and how many more minutes will it add to a film that has historically been chopped about; apparently Imax has it down to 45 minutes!  

If you fancy yourself as a scriptwriter see:

But just remember how long it took Michael Wilson to get a credit! 

Friday, November 18, 2011

Recently discovered oil painting of Colonel S.F. Newcombe


By John Mansfield CREALOCK, R.H.A., 1871-1959


S.F.N by John Crealock, 1938
This fabulous oil on canvas portrait of Stewart Newcombe was painted in 1938 by John Mansfield Crealock and is held by the Tank Museum at Bovington, Wareham. It was gifted to the museum in 1988 by Dr G. E. Moloney of the Radcliffe Infirmary where Newcombe was treated prior to his death. Unfortunately, it is not on public display and has languished unseen for many years in the Museum's reserve collection until an image of the painting was recently posted on the BBC's Your Paintings website. Viewing can be arranged by prior application to the curator (see contact details below). The museum is well worth a visit as it holds the finest and most historically significant collection of tanks in the world. From the first tank, Little Willie, to the modern Challenger 2, the Tank Museum’s definitive collection comprises over 250 vehicles and thousands of supporting artefacts from across the globe.

The portrait of Colonel Newcombe is beautifully executed and Crealock has captured the stature of the sitter at the age of sixty years old as he actively worked on the Palestine issue, tackling his own government as it moved towards partition in the region. His hair is grey but there is still a hint of red to his familiar moustache, as well as a touch of humour shown in his eyes.

The artist John Mansfield Crealock was born in Manchester, went to the Royal Military College at Sandhurst and served in the Sherwood Foresters (Nottinghamshire and Derbyshire Regiment) in the Boer War. He attained the rank of Captain before resigning at the age of 26 in May 1897 to become an artist. He later studied at the Académie Julian in Paris in 1901-04 and exhibited at the Royal Academy, Goupil Gallery, and New English Arts Club.  

He was living at 24 Beaufort Mansions, Beaufort Street, Chelsea, prior to rejoining his old regiment the Foresters for service in the First World War.  He inherited several journals and sketchbooks from his father and his uncle, both soldier artists, which he donated to their regimental museums. He died in Hove in 1959, 'fortified by the rites of the Holy Church'. 

His father was John North Crealock, Military Assistant to Lord Chelmsford and a war artist at the time of the Battle of Isandlwana ( 22 January 1879), the first major encounter between the British Empire and the Kingdom of Zululand in the Anglo-Zulu War. He is celebrated for his pen-and-ink drawings that were scribbled hastily into a sketch-book propped on the pommel of his saddle. His images depicting the carnage at Isandlwana were the first to reach London and the pages of the daily press, shocking an incredulous Victorian public. Many of these drawings appeared in the Illustrated London News of the time.  He later appeared at the Public Enquiry on Isandhlwana. 

John North's elder brother, Henry Hope Crealock, was also an artist, and had, for a spell, left the army in an abortive and futile effort to earn a living as a painter in Rome.

A visit to the Tank Museum can be easily combined with one to the home of T.E. Lawrence at Clouds Hill. It was on the road between Bovington and Clouds Hill that Lawrence was fatally injured on 13th May 1935 in a motorcycle accident. He died in the Bovington camp hospital six days later. Stewart Newcombe attended the inquest into Lawrence's death at the camp and was a pall bearer at the funeral.

Contact the museum at:

The Tank Museum
Bovington, Dorset, BH20 6JG

Tel: 01929 405096 - Fax: 01929 405360

Website: www.tankmuseum.org Email: info@tankmuseum.org

The Tank Museum is open daily 10.00 - 17.00

Christmas closure dates: The Tank Museum will be closed on Christmas Eve, Christmas Day, Boxing Day and New Years Day.