INTRODUCTION


Colonel Stewart Francis Newcombe was already a legend in the deserts of Arabia before he was joined in Cairo during the early months of the First World War by a a remarkable team of Middle Eastern specialists. One member of this group was T.E. Lawrence who went on to achieve worldwide fame. Colonel Newcombe's story, like those of other unsung figures in the Anglo-Arabian narrative, has been eclipsed by the legend of ´Lawrence of Arabia´, and has languished in the dusty recesses of regimental records, government files or in the elliptical words of Lawrence’s book Seven Pillars of Wisdom. However, S.F. Newcombe´s untold story is there to be told. IN THE SHADOW OF THE CRESCENT is a story of extraordinary exploits and courage, coupled with Newcombe's own legendary and inexhaustible supply of energy and of remarkable adventures under the very noses of the Ottoman authorities – full of danger, intrigue and perhaps more surprisingly, of romance during Newcombe's captivity in Turkey. In the years between the two world wars, Palestine became Newcombe’s main preoccupation, especially after his retirement from military service, and he spent many years in helping to achieve a just solution in relation to the promises that were made to the Arabs during the war in return for their active participation in support of the Allied cause. For this untiring effort he will be best remembered. This is his story.

Sunday, August 31, 2014

On this day - 31 August 1914


THE RETREAT FROM MONS 1914

During the opening months of the war, Stewart Newcombe’s skills were needed not in Arabia but in France where the British Expeditionary Force (B.E.F.) had landed in August 1914 in support of the French war plan. With no prior knowledge or involvement in the development of French strategic aims, the British forces soon became tied down in a faulty strategy that was beset with misunderstandings and doomed from the start.

With great credit, the French army had been largely reconstructed and reorganised following the disastrous Battle of Sedan in 1870, which had seen its army and its last emperor, Napoleon III, captured during the Franco-Prussian War. Remodelled on German lines of conscription, France adopted a decentralised approach to recruitment and training. At the start of the First World War, it had mobilised nearly 4 million men into 47 divisions under its Commander-in-Chief, General Joffre. By the end of the war it would call up over twice that number, including nearly half a million colonial troops. Its original battle scheme, Plan XVII, was pitted against Germany’s Schlieffen Plan and unfortunately it came largely undone in the opening moves which saw the German army invade France through Belgium, a move that the French was convinced would not happen due to the British treaty guaranteeing Belgium neutrality, the so-called “scrap of paper” as Germany insisted on belittling the agreement. France was outwitted and out of position having focussed too heavily on retaking Alsace Lorraine which had been in German hands since 1871. Thereafter, it was a matter of reorganisation and redeployment, reacting to the unique conditions of a modern war, with huge armies supported by new technology ultimately leading to stalemate and bloody attrition during four years of static trench warfare.

The British mobilise

Within days of mobilisation, Newcombe took command of the 8th R.E. Railway Company, one of two regular companies based at the Longmoor Military Camp in Hampshire which were responsible for maintaining and providing the British Army with its railway transportation requirements. His second-in-command was Captain E. Woodhouse who by the end of the war would become Assistant Director of Railways at the War Office. With 30 tons of technical stores to be transported across to Le Havre in France, the Railway companies were allocated just five days in which to mobilise in readiness for embarkation.

When their ship reached Le Havre 8th Company found they had very little to do as a prior agreement meant that the French were tasked with carrying out anything to do with railway transport in support of the original expeditionary force. Spending two or three days here and there, Newcombe’s company criss-crossed the country by train with very little substantive work to occupy them. Woodhouse later recalled that Newcombe was only with the company for a short time after they reached France, ‘but was a most valuable advance agent; without him I think it is doubtful whether we would have got any railway jobs to do.’

After settling his men to whatever useful projects he could find, Newcombe’s impatience led him to seek out work more suited to his own individual skills. Ahead of him, the ensuing difficulties encountered by the B.E.F. in the face of aggressive manoeuvres by the Germans were quickly leading to general disarray within the British forces. It was a fast-moving and volatile situation and one that Newcombe relished for the opportunity to get in at the thick of the action.  

The retreat of the B.E.F. from Mons to the Marne at the end of August 1914 called for the destruction of several key river crossings. Eager to be involved in any action after weeks of camp duties, Newcombe positioned himself in the vanguard of the retreat to assist in slowing up the advancing enemy. 

The Great Retreat 1914

A continuous crescendo of guns accompanied the weary retreat of the British Expeditionary Force as it stumbled down the roads of Northern France under a blazing summer sun. During the thirteen days of retreat it has been estimated that the infantry averaged about four hours sleep in twenty-four, and the cavalry only three. General Edmund Allenby was the Commander of the Cavalry Division, consisting of four Cavalry brigades, with two brigades of horse artillery and a field squadron of Royal Engineers and signallers. The cavalry’s role, traditional in any retreat, was to hold up the advancing enemy forces where mobility and endurance were best suited to a rearguard action. As events unfolded, Allenby became hard pressed to deal with the confused and ever-changing military situation as well as the difficulty of the terrain which included a dense impenetrable forest laying diagonally across his line of retreat. This had the effect of forcing the cavalry closer into the flanks of the German columns leaving little room for manoeuvre.

Inevitably, mistakes were made but Allenby remained resolute in his own abilities and in those of his men and horses who were continually in action, either occupying rearguard positions or under heavy shell fire. Unable to engage in close combat where their superiority would have told, the British cavalry withstood a steady barrage from long-range enemy guns and became somewhat scattered as a result. A constant stream of men, horses and guns made their way south along the rutted tracks and roads, their backs to the enemy and closing doors where possible behind them. 

The bridge at Compiegne

One line of retreat across the magnificent stone bridge at Compiegne was to be permanently closed by the Royal Engineers in a spectacular demolition that would prove to be a classic example of the art of bridge blowing. Following a request by the French the demolition was ordered to take place on the morning of August 31, allowing time for the Commander-in-Chief to evacuate his headquarters which were in the town. The imperial architecture of Compiegne confirmed its status as a royal town strategically located on the River Oise at the heart of the Picardy region and a vital crossing point for the retreating armies emerging from the cover of the surrounding forests. It was in these same forests that Jeanne d’Arc was captured in 1430 by the Burgundians while attempting to free the town before she was herself sold to the English. The Imperial Palace of Compiegne was where the royal entourage of Napoléon III and the Empress Eugenie held their summer court to the delight of their eclectic guest lists which included the great writers, artists and musicians of the day. The young Ned Lawrence - as T.E. Lawrence was known to his family - was also familiar with the town and would have crossed its bridge just six years before on one of his long bicycle tours of France in search of castles while studying medieval military architecture as part of his History degree at Oxford. On this late summer’s day, remnants of the British army streamed through the town as the statuettes at the top of the tower of the 16th Century L’Hôtel de Ville struck continually on the quarter-hour, marking a constant and rhythmic toll to accompany the weary footfall of the retreating army. 

Compiegne Bridge in happier times

Lieutenant B. K. Young of the 9th Field Company, accompanied by his section Sergeant and eight sappers on bicycles, arrived at 5p.m. on the 30th to prepare the bridge, calculating that it would require a charge of two and a half tons of gun-cotton for the haunches of each arch. As the bridge at Compiegne had three arches supported by two massive piers it would prove extremely fortunate when only one ton of explosive could be found supplemented by a ton of French melinite. While they made their preparations Young remained unaware that he had made a gross miscalculation.

Brigadier-General Fowke arrived on the scene soon after, accompanied by Captain Newcombe. Together with Young they inspected the site and Newcombe was left in charge of the preparations which would have to be carried out throughout the coming night. A French officer handed Newcombe a set of plans of the bridge which indicated where the demolition chambers had been placed, a feature of many bridges in the region. Newcombe set the sappers to work in removing the pavé setts to expose the chambers, of which there were three in each pier, each one 18 inches in diameter and 30 feet deep, going well below the water line. It was into these cramped chambers that the explosives had to be placed, a dangerous task that Newcombe elected to personally undertake. As he could not bend his body in the narrow shaft his team lowered him by rope into each of the six chambers in turn with 400lbs of gun-cotton tied up in sandbags and with three slabs prepared with primers and detonators in each bag. He then tamped these into position with his feet. About a hundred pounds of melinite was added as a sort of insurance for each charge, and finally a layer of three sandbags filled with gravel to complete the filling. The work was long and arduous and it was daybreak on the morning of the 31st August when the fuzes and leads, prepared by Young, were finally placed across the pavé, two sets of each, in grooves which were then filled with sand and gravel. 

A lucky escape!

Throughout this preparation the roadway had to be kept open for endless lines of traffic escaping the oncoming German army. All through the night a steady stream of over-laden vehicles of every kind crossed the bridge unaware that Newcombe and his men were working below in the darkness. But by dawn all was ready. Despite his exhaustion, Newcombe sent the Sergeant and the sappers back to find their company taking with them the surplus gun-cotton, while he remained behind with Young to blow the bridge. After all his hard work he was not prepared to miss the fruits of his labour. 


British Cavalry passing through Compiegne

The orders were that the demolition was to be made as soon as all the cavalry had crossed. Finally, at 11 a.m. a message was received from General Allenby saying that his division was clear. Newcombe brushed seniority to one side and gave the honour to Lieutenant Young who wasted no time in attaching the wooden handle to the exploder. Newcombe made one last check, running his eyes along the lines of fuzes which ran from the box and fanned out across the bridge before disappearing into the demolition chambers. At last, he nodded his satisfaction as Young prepared to press home the charge.

WW1 Exploder Box

Just at that moment, as Young pushed down on the ‘T’ shaped plunger, a car full of fleeing refugees raced onto the unguarded bridge, hurtling towards the two startled engineers and into imminent danger. As the plunger buried itself up to the hilt in the blasting box, a miracle occurred and the explosion failed, the fuzes not detonating. The car raced off the end of the bridge and disappeared into the town, the occupants unaware of how close they came to an almost certain death. The two men, baffled but immensely relieved by the mishap, ignored the usual rule of leaving a half an hour delay in returning to the scene and set to immediately. Within a few moments the alternative six foot fuze did its job – but all too suddenly, burning rapidly in only 30 seconds, the enclosed flame racing along its length without heed to the safety margins set by the two sappers. This time the effect was spectacular. Newcombe and Young watched in amazement as the whole structure simply vanished in almost complete silence, with the result that there was little debris showing above the water line and no damage to the windows or structure of two hotels, the Hôtel Du Pont-Neuf and the Hôtel de Flandre, which were situated a few metres from either end of the bridge. 

Newcombe's handiwork

It was later described with some pride in the History of the Corps of the Royal Engineers as one of the cleanest demolitions of the war. In its typically unflappable tone, belying the inherent dangers and the possibility of a calamitous outcome, the Journal was pleased to announce: ‘The happy escape of the refugee car, followed by the complete success of the demolition, was a sufficiently satisfying climax to a very hard night’s work.’

Turkey enters the war
 
Early on the morning of 29th October 1914 Turkey formally entered the war on the side of Germany when its fleet attacked the Russian Black Sea ports of Sebastopol, Theodosia, Novorossiysk and Odessa. It took two days for the rumours to be confirmed during which a twelve hour deadline expired offering a final olive branch to the Turkish Government requesting them to dismiss German naval and military missions and pull back from the brink of war. It was a futile hope and at 5.05p.m on 31 October, the order went out from the Admiralty to all ships, ‘Commence hostilities at once against Turkey.’ The Ottoman Empire would not live to see another day of peace.

With Turkey now in the war Newcombe’s role on the Western Front was over, for the time being. After settling matters with the 8th Railway Company he returned to London to complete his Sinai and Palestine maps and reports, sharing the same offices as T.E. Lawrence in the M.O.4 department at the War Office in Whitehall. Lawrence was now busy preparing the maps and the reports on the Wilderness of Zin and the Sinai Peninsula for printing. On 3 December 1914, Lawrence informed W.J. Crace, the Honorary Secretary of the Palestine Exploration Fund that he and Newcombe had been ‘uncomfortably busy’ wrapping up their affairs before heading out to the East.

On 9 December, Newcombe and Lawrence set off across France by train to the port of Marseilles and the quayside at La Joliette from where the Messageries Maritime steamships departed for the East. Taking a 2nd Class passage to Port Said they reached Cairo on Tuesday 15 December where they were later joined by other specialists in Middle Eastern affairs who had been ordered to Egypt.



Just before he left, Lawrence wrote to a friend, Mrs Winifred Fontana, who had recently fled Syria following the Turkish declaration, asking her if there were any commissions he could do for her in Aleppo the following spring. It seems that Lawrence, in common with many of his contemporaries, did not think that the war would last for many more months.
 

FIRST ARTICLE IN THE CENTENARY OF THE FIRST WORLD WAR SERIES

Saturday, August 9, 2014

FEATURED ARTISTS & PHOTOGRAPHERS

WILLIAM ROBERTS R.A (5 June 1895 - 20 January 1980)

William Roberts was an English painter and war artist. He was a founder member of the influential Vorticist Group, a powerful recorder of the front-line battles of the First World War, and a unique observer of the foibles and activities of Britain at leisure over almost fifty years. In 1922–6 he was commissioned to produce illustrations and decorations for Lawrence's Seven Pillars of Wisdom including this pencil drawing of S.F. Newcombe.

SFN by William Roberts R.A.

"In 1920 Colin Gill, who had been a fellow-student at the Slade, sent me a note saying 'Colonel Lawrence is seeking artists to make portrait drawings for a book he is producing; get in touch with him.' I wrote to Lawrence and as a result I contributed several portrait drawings to 'Seven Pillars of Wisdom,' besides a painting of Lawrence in his Royal Air Force uniform. He sat for this portrait (the Lawrence portrait) in a room I was using at Coleherne Terrace, Earl's Court. Sometimes if I was late for our meeting I found him sitting on the dark stairs that led to my temporary studio. He lent me during several Summers his small woodman's cottage at Clouds Hill in Dorset."

From William Roberts, Five Posthumous Essays and Other Writings (Valencia, 1990).

JOHN MANSFIELD CREALOCK, R.H.A (12 March 1871- 12 January 1959)


SFN by John Crealock R.H.A

This fabulous oil painting by the artist John Mansfield Crealock was painted in 1938 when Newcombe was sixty-years-old and working on proposals for what may be called a bi-nation state in Palestine, with limited and controlled immigration and absorption of Jews according to the physical and economic capacity of the country. 

Newcombe argued and lobbied this position to whoever in authority would listen. He set up committees to counter-balance the Zionist message, gaining access to high level ministers of state including the Prime Minister. He submitted his evidence to the Palestine Royal Commission, invited guests sympathetic to the cause to the Royal Central Asian Society Dinner Club, of which he was Honorary Secretary, and wrote articles for magazines and periodicals such as The Empire Review under the auspices of the Palestine Information Centre, where he also held the post of Honorary Secretary.

In this portrait Crealock has captured Newcombe's grey hair although there is still a hint of red to his familiar moustache, as well as a touch of humour shown in his eyes.

T.E. LAWRENCE (16 August 1888 - 19 May 1935)

January 1917. Newcombe, having just landed at Umlej, raced to catch Lawrence for the advance on Wejh. Lawrence’s diary records “At 1:15 Newcombe arrived with Mohammed Ali El Beidawi on a horse and joined the party.”

Newcombe appears in this photograph reproduced in Oriental Assembly emerging from, or disappearing into, a scrub of short palms alongside a well trodden sandy path at Semna. A copy of the photo is held by the Imperial War Museum - IWM (Q 58856).

"Our road to-day was easy for them, since it was over firm sand slopes, long, slowly-rising waves of dunes, bare-backed, but for scrub in the folds, or barren palm-trees solitary in the moist depressions. Afterwards in a broad flat, two horsemen came cantering across from the left to greet Feisal. I knew the first one, dirty old blear-eyed Mohammed Ali el Beidawi, Emir of the Juheina: but the second looked strange. When he came nearer I saw he was in khaki uniform, with a cloak to cover it and a silk head-cloth and head-rope, much awry. He looked up, and there was Newcombe's red and peeling face, with straining eyes and vehement mouth, a strong, humorous grin between the jaws. He had arrived at Um Lejj this morning, and hearing we were only just off, had seized Sheikh Yusuf's fastest horse and galloped after us." Seven Pillars of Wisdom


SFN at SEMNA, 1917 by T.E. Lawrence

"To-day had a grey weather, so strange after the many thronging suns, that Newcombe and I walked stooping to look where our shadows had gone, as we talked of what I hoped, and of what he wanted. They were the same thing, so we had brain-leisure to note Semna and its fine groves of cared-for palms between little hedges of dead thorn; with here and there huts of reed and palm-rib, to shelter the owners and their families at times of fertilisation and harvest. In the lowest gardens and in the valley bed were the shallow wood-lined wells, whose water was, they said, fairly sweet and never-failing: but so little fluent that to water our host of camels took the night." 

Lawrence photographed Newcombe disappearing into a palm-grove, perhaps for a private moment, at an oasis named Samnah (Semna by TEL). This was where Feisal had camped after leaving Wadi Yanbo on the first stage of the march north to Wejh. Newcombe had raced across a broad sand flat which gradually rose to a rough lava field, its roughness smoothed over by an infill of soft sand and therefore made easier to cross, before descending as a sand-cliff to the verdant sanctuary whose palms were the outward indication of numerous wells and an abundance of water. Even so, the throng of men and animals rode a little higher up the further valley slopes in case of floods before Feisal tapped his camel lightly on its neck. At this signal she collapsed her legs under her and sank to the ground, pushing aside the shingle with her knees to make it more comfortable. Then the hearth carpet was spread and coffee prepared while the men jested, told stories or planned the next move. Then the scouts were sent out to seek rain-pools on the road ahead and to determine tomorrow’s route-march. Beyond Arabia

ELLIOTT & FRY PHOTOGRAPHERS 

Newcombe in retirement, by Elliott and Fry

Elliott and Fry Photographers had been taking photos of sitters since 1863. By the mid 1930's, when this portrait was taken, it operated out of three studios and employed a number of photographers. It is probable that this image of Newcombe was taken by Walter Benington as both photographer and sitter were living in Oxford at the same time. This is Newcombe at the time of Lawrence's death.  

UNKNOWN PHOTOGRAPHER, January 1917

Newcombe descending from HMS Hardinge
with Commander Linberry looking on

This photo shows Newcombe descending from HMS Hardinge at the small coastal town of Umlej with Commander (Acting) T.J. Linberry looking on. It marks the moment that Newcombe first arrived in the Hejaz in January 1917. 

Commander Thomas John Linberry was born in India in November 1882 and served during the Great War as acting Commander of HMS Hardinge as part of the Red Sea Patrol. Linberry is mentioned a number of times in Lawrence's Seven Pillars. He is credited with being a great supplier of Naval hospitality. Lawrence recounts the following report of one King's view of heaven:

"In the early days of the revolt it had been the Hardinge which had been given leisure to play providence to us. Once, at Yenbo, Feisal had ridden to the port from the hills on a streaming day of winter, cold, wet, miserable and tired. Linberry had sent a launch ashore, and invited him to the ship where he had found a warm cabin, a peaceful meal, and a bath made ready for him. Afterwards he lay far back in an armchair, smoking one of his constant cigarettes, and remarked dreamily to me that he now knew what the furnishing of heaven would be."

Linberry was also commended for his service in transporting the Holy Carpet (the Kiswah) from Cairo to Mecca. The yearly transport of the Carpet, the highly decorative covering of the Kaaba in Mecca, together with an escort of four hundred troops and a sacred white camel, required the Hardinge to be specially refitted to carry the important cargo. At the completion of the work, and with a full cargo of over six hundred and fifty troops, fifty seven horses, twenty six mules and three camels, the journey from Suez took two days, and included a customary twenty one gun salute on arrival. As part of her precious cargo, the Hardinge carried gold and silver for Sherif Hussein's Arabian Government amounting to £250,900, the equivalent of £10,000,000 today.