INTRODUCTION


Colonel Stewart Francis Newcombe was already a legend in the deserts of Arabia before he was joined in Cairo during the early months of the First World War by a a remarkable team of Middle Eastern specialists. One member of this group was T.E. Lawrence who went on to achieve worldwide fame. Colonel Newcombe's story, like those of other unsung figures in the Anglo-Arabian narrative, has been eclipsed by the legend of ´Lawrence of Arabia´, and has languished in the dusty recesses of regimental records, government files or in the elliptical words of Lawrence’s book Seven Pillars of Wisdom. However, S.F. Newcombe´s untold story is there to be told. IN THE SHADOW OF THE CRESCENT is a story of extraordinary exploits and courage, coupled with Newcombe's own legendary and inexhaustible supply of energy and of remarkable adventures under the very noses of the Ottoman authorities – full of danger, intrigue and perhaps more surprisingly, of romance during Newcombe's captivity in Turkey.

Friday, November 18, 2011

Recently discovered oil painting of Colonel S.F. Newcombe


By John Mansfield CREALOCK, R.H.A., 1871-1959


S.F.N by John Crealock, 1938
This fabulous oil on canvas portrait of Stewart Newcombe was painted in 1938 by John Mansfield Crealock and is held by the Tank Museum at Bovington, Wareham. It was gifted to the museum in 1988 by Dr G. E. Moloney of the Radcliffe Infirmary where Newcombe was treated prior to his death. Unfortunately, it is not on public display and has languished unseen for many years in the Museum's reserve collection until an image of the painting was recently posted on the BBC's Your Paintings website. Viewing can be arranged by prior application to the curator (see contact details below). The museum is well worth a visit as it holds the finest and most historically significant collection of tanks in the world. From the first tank, Little Willie, to the modern Challenger 2, the Tank Museum’s definitive collection comprises over 250 vehicles and thousands of supporting artefacts from across the globe.

The portrait of Colonel Newcombe is beautifully executed and Crealock has captured the stature of the sitter at the age of sixty years old as he actively worked on the Palestine issue, tackling his own government as it moved towards partition in the region. His hair is grey but there is still a hint of red to his familiar moustache, as well as a touch of humour shown in his eyes.

The artist John Mansfield Crealock was born in Manchester, went to the Royal Military College at Sandhurst and served in the Sherwood Foresters (Nottinghamshire and Derbyshire Regiment) in the Boer War. He attained the rank of Captain before resigning at the age of 26 in May 1897 to become an artist. He later studied at the Académie Julian in Paris in 1901-04 and exhibited at the Royal Academy, Goupil Gallery, and New English Arts Club.  

He was living at 24 Beaufort Mansions, Beaufort Street, Chelsea, prior to rejoining his old regiment the Foresters for service in the First World War.  He inherited several journals and sketchbooks from his father and his uncle, both soldier artists, which he donated to their regimental museums. He died in Hove in 1959, 'fortified by the rites of the Holy Church'. 

His father was John North Crealock, Military Assistant to Lord Chelmsford and a war artist at the time of the Battle of Isandlwana ( 22 January 1879), the first major encounter between the British Empire and the Kingdom of Zululand in the Anglo-Zulu War. He is celebrated for his pen-and-ink drawings that were scribbled hastily into a sketch-book propped on the pommel of his saddle. His images depicting the carnage at Isandlwana were the first to reach London and the pages of the daily press, shocking an incredulous Victorian public. Many of these drawings appeared in the Illustrated London News of the time.  He later appeared at the Public Enquiry on Isandhlwana. 

John North's elder brother, Henry Hope Crealock, was also an artist, and had, for a spell, left the army in an abortive and futile effort to earn a living as a painter in Rome.

A visit to the Tank Museum can be easily combined with one to the home of T.E. Lawrence at Clouds Hill. It was on the road between Bovington and Clouds Hill that Lawrence was fatally injured on 13th May 1935 in a motorcycle accident. He died in the Bovington camp hospital six days later. Stewart Newcombe attended the inquest into Lawrence's death at the camp and was a pall bearer at the funeral.

Contact the museum at:

The Tank Museum
Bovington, Dorset, BH20 6JG

Tel: 01929 405096 - Fax: 01929 405360

Website: www.tankmuseum.org Email: info@tankmuseum.org

The Tank Museum is open daily 10.00 - 17.00

Christmas closure dates: The Tank Museum will be closed on Christmas Eve, Christmas Day, Boxing Day and New Years Day.

Wednesday, November 2, 2011

ON THIS DAY - 2 NOVEMBER 1917

CAPTURED!

2 November 1917
On this day, Colonel Newcombe and a small detachment of camel-mounted raiders were captured during a daring operation behind enemy lines just two days after a successful cavalry charge by 800 men of the 4th Australian Light Horse Brigade had overrun the unwired Turkish trenches of Beersheba in what was the opening move of the 3rd Battle of Gaza.

Newcombe's plan was simple: to take seventy heavily armed camel-mounted men through the desert in a wide sweeping arc behind enemy lines and to take and hold the Beersheba to Hebron road, cutting communication lines and holding up the retreating army until relieved. If possible, it was also hoped that an accompanying Arab Sheikh would be able to convince friendly Arabs in the hills to join the band of desert warriors. As in all operations, flexibility would be the key. This audacious plan, bearing many of the hallmarks that would later be adopted by the Long Range Desert Group and the SAS during the Second World War, was eventually approved towards the end of October 1917 by General Allenby. The operation immediately swung into action with final preparations being coordinated under the strictest secrecy. At the El Arish Machine Gunnery School, sixteen men of a mixed British and Commonwealth background were called to parade before the Officer Commanding who said that GHQ had requested sixteen men of stout heart to be chosen for a hush-hush mission. He continued, ‘If any man has no wish to go he could step forward and be replaced’. As one soldier attending an N.C.O course at El Arish later wrote: ‘None of us was that stout hearted, so we all kept our places.’ 

After successfully securing the strategically located garrison town of Beersheba, severe water shortages proved to be a major concern to the British as they attempted to consolidate their gains in and around the town. The Official History of the War explains that, ’a Khamsin which began to blow on the second added greatly to the demands for water and to the suffering when they could not be met.’ Even washing and shaving had to be forbidden. Work to reorganise the water transport was a priority, and although engineers were soon improving the wells in Beersheba, ‘the whole machine was strained to the uttermost to keep the troops at a distance from the town supplied.’

On the evening of the 31 October, unaware of the ensuing problems faced by the bulk of the mounted units who should at that moment be harassing the retreating Turkish forces towards his position, Newcombe led his group north up gentle slopes beyond the village of Ad-Dhahiriya which sat on its high plateau some 1200 feet above Beersheba. The road to Hebron which cut through the hills to the north of the village was protected by a strong Turkish garrison and patrolled by reconnaissance flights from a nearby airfield. After a long and hazardous march Newcombe and his men reached the Beersheba to Hebron road, now deep behind enemy lines, and set up camp in the nearby hills while a small party went off to cut communication wires. News reached him via local Bedouin of the capture of Beersheba and he determined at all costs to hold the Hebron road, so as to cut off the enemy's retreat to the north, while also hoping for a speedy advance by the British cavalry to secure his relief. Newcombe and his men slept till dawn on 1 November before moving off to new positions that straddled the road. Soon after setting up their guns they captured several prisoners, officers who had jauntily cantered down the road from Beersheba until fired upon and ordered to surrender. ‘Their unbelieving astonishment at the sight of British troops as they halted and obeyed was trance-like.’ When the chill of evening began to descend, Newcombe’s men spotted a column of Ottoman infantry marching down the road towards them. One member of the group remembered: ‘We opened fire. This was no battle. They had no chance, no time to think.’ But with the approaching darkness a few Turkish survivors had managed to slip away. ‘We had stirred up such a hornet’s nest,’ he recalled, ‘that it was time to vacate our known position.’ 

With the enemy now actively searching for the group, Newcombe’s difficulties continued to mount throughout the next day and it was obvious that the hoped for relief was neither near nor likely to come. A fierce fire-fight ensued after an enemy plane located their position. Within minutes the hills were spitting fire from two hastily assembled Turkish companies commanded by a German officer. With ten of his men dead, twenty wounded and most of his machine guns disabled, Newcombe had no alternative but to surrender. As T.E. Lawrence later wrote: ‘He was brave for six hours too long.’